The 1997 Academy Awards were presented on March 23, 1998 at the Shrine Auditorium, Los Angeles.
Best Picture | As Good as It Gets, James L. Brooks, Bridget Johnson and Kristi Zea, producers (TriStar) |
| The Full Monty, Uberto Pasolini, producer (Fox Searchlight) |
| Good Will Hunting, Lawrence Bender, producer (Miramax) |
| L.A. Confidential, Arnon Milchan, Curtis Hanson and Michael Nathanson, producers (Warner Bros.) |
| Titanic, James Cameron and Jon Landau, producers (Paramount and 20th Century Fox) |
Actor in a Leading Role | Matt Damon, Good Will Hunting |
| Robert Duvall, The Apostle |
| Peter Fonda, Ulee's Gold |
| Dustin Hoffman, Wag the Dog |
| Jack Nicholson, As Good as It Gets |
Actress in a Leading Role | Helena Bonham Carter, The Wings of the Dove |
| Julie Christie, Afterglow |
| Judi Dench, Mrs. Brown |
| Helen Hunt, As Good as It Gets |
| Kate Winslet, Titanic |
Actor in a Supporting Role | Robert Forster, Jackie Brown |
| Anthony Hopkins, Amistad |
| Greg Kinnear, As Good as It Gets |
| Burt Reynolds, Boogie Nights |
| Robin Williams, Good Will Hunting |
Actress in a Supporting Role | Kim Basinger, L.A. Confidential |
| Joan Cusack, In & Out |
| Minnie Driver, Good Will Hunting |
| Julianne Moore, Boogie Nights |
| Gloria Stuart, Titanic |
Directing | Peter Cattaneo, The Full Monty |
| Gus Van Sant, Good Will Hunting |
| Curtis Hanson, L.A. Confidential |
| Atom Egoyan, The Sweet Hereafter |
| James Cameron, Titanic |
Writing | Screenplay Written Directly for the Screen | Mark Andrus and James L. Brooks; Story by Mark Andrus, As Good as It Gets | | Paul Thomas Anderson, Boogie Nights | | Woody Allen, Deconstructing Harry | | Simon Beaufoy, The Full Monty | | Ben Affleck and Matt Damon, Good Will Hunting | Screenplay Based on Material Previously Produced or Published | Paul Attanasio, Donnie Brasco | | Brian Helgeland and Curtis Hanson, L.A. Confidential | | Atom Egoyan, The Sweet Hereafter | | Hilary Henkin and David Mamet, Wag the Dog | | Hossein Amini, The Wings of the Dove |
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Cinematography | Janusz Kaminski, Amistad |
| Roger Deakins, Kundun |
| Dante Spinotti, L.A. Confidential |
| Russell Carpenter, Titanic |
| Eduardo Serra, The Wings of the Dove |
Art Direction | Jan Roelfs, Gattaca |
| Dante Ferretti, Kundun |
| Jeannine C. Oppewall, L.A. Confidential |
| Bo Welch, Men in Black |
| Peter Lamont, Titanic |
Sound | Paul Massey, Rick Kline, D.M. Hemphill and Keith A. Wester, Air Force One |
| Kevin O'Connell, Greg P. Russell and Arthur Rochester, Con Air |
| Randy Thom, Tom Johnson, Dennis Sands and William B. Kaplan, Contact |
| Andy Nelson, Anna Behlmer and Kirk Francis, L.A. Confidential |
| Gary Rydstrom, Tom Johnson, Gary Summers and Mark Ulano, Titanic |
Music | Song | “Go the Distance,” Hercules, Alan Menken and David Zippel, music and lyrics | | “How Do I Live,” Con Air, Diane Warren, music and lyrics | | “Journey to the Past,” Anastasia, Stephen Flaherty and Lynn Ahrens, music and lyrics | | “Miss Misery,” Good Will Hunting, Elliott Smith, music and lyrics | | “My Heart Will Go On,” Titanic, James Horner and Will Jennings, music and lyrics | Original Score | John Williams, Amistad | | Danny Elfman, Good Will Hunting | | Philip Glass, Kundun | | Jerry Goldsmith, L.A. Confidential | | James Horner, Titanic | Original Musical or Comedy Score | Stephen Flaherty, Lynn Ahrens and David Newman, Anastasia | | Hans Zimmer, As Good as It Gets | | Anne Dudley, The Full Monty | | Danny Elfman, Men in Black | | James Newton Howard, My Best Friend's Wedding |
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Film Editing | Richard Francis-Bruce, Air Force One |
| Richard Marks, As Good as It Gets |
| Pietro Scalia, Good Will Hunting |
| Peter Honess, L.A. Confidential |
| Conrad Buff, James Cameron and Richard A. Harris, Titanic |
Costume Design | Ruth E. Carter, Amistad |
| Dante Ferretti, Kundun |
| Janet Patterson, Oscar and Lucinda |
| Deborah L. Scott, Titanic |
| Sandy Powell, The Wings of the Dove |
Makeup | Rick Baker and David LeRoy Anderson, Men in Black |
| Lisa Westcott, Veronica Brebner and Beverley Binda, Mrs. Brown |
| Tina Earnshaw, Greg Cannom and Simon Thompson, Titanic |
Visual Effects | Dennis Muren, Stan Winston, Randal M. Dutra and Michael Lantieri, The Lost World: Jurassic Park |
| Phil Tippett, Scott E. Anderson, Alec Gillis and John Richardson, Starship Troopers |
| Robert Legato, Mark Lasoff, Thomas L. Fisher and Michael Kanfer, Titanic |
Sound Effects Editing | Mark P. Stoeckinger and Per Hallberg, Face/Off |
| Mark Mangini, The Fifth Element |
| Tom Bellfort and Christopher Boyes, Titanic |
Short Films | Animation | Famous Fred (Joanna Quinn, producer; TVC London Production for Channel 4 and S4C) | | Geri's Game (Jan Pinkava, producer; Pixar Animation Studios) | | La Vieille Dame et Les Pigeons (Sylvain Chomet, producer; Productions Pascal Blais/Les Armateurs/Odec Kid Cartoons) | | The Mermaid (Alexander Petrov, producer; Film Company “DAGO"/"SHAR" School-Studio/Studio "PANORAMA”, Yaroslavl) | | Redux Riding Hood (Steve Moore, producer; Walt Disney Television Animation) | Live Action | Dance Lexie Dance (Pearse Moore and Tim Loane, producers; Raw Nerve Productions/Northern Lights Entertainment) | | It's Good to Talk (Roger Goldby and Barney Reisz, producers; Feasible Films) | | Sweethearts? (Birger Larsen and Thomas Lydholm, producers; Metronome Productions/Victoria Film) | | Visas and Virtue (Chris Tashima and Chris Donahue, producers; Cedar Grove Productions) | | Wolfgang (Kim Magnusson and Anders Thomas Jensen, producers; M&M Productions/Dansk Novellefilm) |
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Documentary | Short Subject | Alaska: Spirit of the Wild (George Casey and Paul Novros, producers; Graphic Films Corporation) | | Amazon (Kieth Merrill and Jonathan Stern, producers; Ogden Entertainment) | | Daughter of the Bride (Terri Randall, producer; Terri Randall Film & Video Productions/Home Box Office) | | Still Kicking: The Fabulous Palm Springs Follies (Mel Damski and Andrea Blaugrund, producers; Little Apple Film) | | A Story of Healing (Donna Dewey and Carol Pasternak, producers; Dewey-Obenchain Films) | Feature | Ayn Rand: A Sense of Life (Michael Paxton, producer; A G Media Corporation Ltd./Copasetic Inc.) | | Colors Straight Up (Michèle Ohayon and Julia Schachter, producers; Echo Pictures) | | 4 Little Girls (Spike Lee and Sam Pollard, producers; 40 Acres & a Mule Filmworks/Home Box Office) | | The Long Way Home (Rabbi Marvin Hier and Richard Trank, producers; Moriah Films/The Simon Wiesenthal Center) | | Waco: The Rules of Engagement (William Gazecki and Dan Gifford, producers; SomFord Entertainment/Fifth Estate) |
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Foreign Language Film | Beyond Silence, Germany |
| Character, The Netherlands |
| Four Days in September, Brazil |
| Secrets of the Heart, Spain |
| The Thief, Russia |
Gordon E. Sawyer Award | To Don Iwerks, cofounder of Iwerks Entertainment, for accomplishments in the field of motion picture science and technology |
Scientific and Technical Award | To Gunnar P. Michelson, for the engineering and development of an improved, electronic, high-speed, precision light valve for use in motion picture printing machines |
Honorary Award | To Stanley Donen, in appreciation of a body of work marked by grace, elegance, wit and visual innovation |